Friday, March 24, 2006


The world is a dangerous place. "Ethnic cleansing" by government backed militias in Darfur; eight people killed in a shoot out between police and drug gangs in Rio; protests over the youth unemployment law in France turn violent.

Iraq. Afghanistan. Israel. Palestine. Pakistan. Iran.

But two days ago the world got a little safer, hopefully: ETA declared a permanent ceasfire.

Esatablished in 1959, ETA (Euskadi Ta Askatasuna -- "Basque Homeland and Freedom" in Euskara, the Basque language) -- Spain's cousin to the IRA -- is a Basque nationalist organization with extremely violent tendencies. In 1973, it managed to assassinate Spain's Prime Minister Admiral Luis Carrero Blanco, and over the next thirty years carried out a number of bombings and assassinations. In 2001, following a year marked by a number of bombings aimed at politicians and officials, ETA announced that tourists were fair targets. In short, very scary guys.

So scary, in fact, that when Al-Qaeda bombed the Atocha train station in Madrid on March 11, 2004, the Spanish government at first strongly and unequivocally blamed ETA. The group's past made this quite plausible; so plausible, in fact, that the Spanish were able to get the U.N. to pass Resolution 1530 which names ETA as being specifically responsible for the attacks [pdf]. That it was determined rather quickly that Al-Qaeda was behind the attacks, not ETA, led to the downfall of the conservative government in the elections three days later, amid suspicions that it had deliberately misled the public about ETA's involvement. Not that suspicions of ETA were completely unfounded, mind you: two weeks before the bombings at Atocha, a van filled with explosives was discovered during a routine traffic inspection, leading to the arrest of two alleged ETA members.

By most accounts, the organization has been weakened through arrests, and the Al-Qaeda bombings have made ETA killings political suicide, even more so than they might have been before. I don't know: wounded snakes can still bite, can still kill.
And ETA has declared ceasfires before: they haven't held. This is the first time they have ever used "permanent" to describe a ceasefire, though.

I hope to God this holds.

Spain is a magical country, a country of deep history and almost indescribably rich music, art, and literature. Alcala de HenĂ¡res, where the bombs that destroyed Atocha may have been placed on the trains, is the birthplace of Miguel Cervantes, creator of the noble knight who, in a very, very roundabout way (through the words of lyricist Joe Darion) is honored in the title of this blog. Madrid, where ETA's last car bombing took place in 2005, is a grand and colorful city where you can marvel at Heironymous Bosch's "Garden of Earthly Delights" or weep over Picasso's "Guernica"; head over to the Plaza Mayor and check out the street musicians; or
simply wander along the spacious avenidas or through the narrow calles looking for tapas bars. And there is Barcelona, site of ETA's bloodiest attack, in 1987, which is home to Antonio Gaudi's remarkable Sagrada Familia and other works. And Seville, where in addition to being barbered, you can wonder that a human can actually move their feet that fast, when you are introduced to the art of flamenco. It was a EU summit in Seville that touched off a series of bombings by ETA in resort towns in southern Spain of 2002.

I'm sort of fond of the place. Can you tell? Along with New Zealand (which I love for very different reasons) Spain is very dear to my heart. Anything that makes the Spanish people safer matters a great deal to me.

The Basque region is seeking greater autonomy, and I have no problem with that. I support it, even. Just not when it involves bombs.

3 comments:

  1. Just one little detail, the Guernica represents a clear attempt by the darkest forces in Spain to carry out an ethnic cleansing campaign against the Basques.

    So I ask, why is it that the painting is in Madrid, and not in Gernika or Bilbo?

    Thanks for your support of the Basque drive for self determination, now that there is no bombs, we hope that there will be no more abductions, torture and persecution of Basques that want independence for their country.

    Because ETA's violence was an effect, not the cause.

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  2. So I ask, why is it that the painting is in Madrid, and not in Gernika or Bilbo?


    That is a good question. A new museum could be built for the painting. Or else, the Guggenheim in Bilbo, from what I can tell from the web, looks to be a nice facility that could handle the number of people coming to see the painting.

    However, I would argue that "Guernica"'s message speaks to all war atrocities, not only to the bombing of Guernica. The UN has a tapestry of the painting in its lobby because of the universality of that message. I do not think as many people would see the painting if it were in Bilbo or Gernika, and I think it is important that as many people as possible see this painting.

    I would never have said that before I saw the painting -- I don't like abstract painting, and I don't care for Picasso: but this is the one of most moving paintings I have ever seen -- along with Goya's "Third of May."

    I do hope that the movement for Basque autonomy is successful. The government in Madrid needs to negotiate with that end in sight.

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  3. The Spanish teacher at C's high school is Basque. D had an interesting talk with her tonight at open house.

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